Album Review of British artist La Roux

A look at the newest indie album to make it big in the UK

© Stephanie Rowe

Jul 28, 2009
La Roux's Eighties - influenced album, Rich Samuels
Eighties synthpop has re - emerged in the upbeat music of Elly Jackson and Ben Langmaid, two British musicians who formed the band La Roux.

Already having a UK number one single with 'Bulletproof', La Roux are making a name for themselves. And listening to their debut album, also called La Roux, it is easy for listeners to see why. Determined, strong lyrics, sung by Jackson, are underpinned with strong Eighties - style drums, and complimented with magic synthesizers. Listeners could be forgiven for thinking that they are listening to a female - fronted Human League, with all the vintage sounds being heard.

Chart - Toppers

Released by Polydor Records, a label that currently holds similar act The Klaxons, and popular girl band Girls Aloud, La Roux are up there with the chart - toppers. 'In For The Kill' was the debut single, reaching number eleven in the UK charts, and getting a remix released by Dubstep artist Skream, which gained popularity in underground clubs. This song was emotional, a strong statement from Elly that she was 'going in for the kill' - and her voice makes the lyric believable.

Not The Average Love Song

Aside from the passionate vocals, it is apparent that La Roux have structured the songs on this album around themes of bravery, especially in relationships. For example, 'Bulletproof' could be about not letting former lovers back. Coming out with the truth could be the meaning of 'In For The Kill'. And maybe a confused Lesbian relationship could be the theme running through 'Quicksand'. Either way, the lyrics fit extremely well with the funky drums and quirky electronics at work.

Electronic Imperfection

A negative aspect of the album is that there are some filler songs in amongst the hits. Songs such as 'I'm Not Your Toy ' and 'As If By Magic' are instantly forgettable songs, that don't pack enough punch as the other pieces here. Another point is that Jackson's voice will either have listeners singing along to match the passionate tones she croons, or, cringing with despair. She hasn't got a perfectly polished voice, especially for a pop singer.

Listen For The Thrill

Despite this, the album flows well, like a river of electronic currents and pop lyrics, rushing into the subconscious, and staying there. For this album is addictive, the music is catchy. It is a perfect pop record, sure to be liked by many people - from thirteen year old girls singing along with their hairbrush, to adults tuning in to it's nostalgic Eighties sound. By listening to La Roux, listeners of this album are doing so 'for the thrill'.


The copyright of the article Album Review of British artist La Roux in Indie Music is owned by Stephanie Rowe. Permission to republish Album Review of British artist La Roux in print or online must be granted by the author in writing.


La Roux's Eighties - influenced album, Rich Samuels
       


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